Dangereuse amnésie - A la place dune autre (Harlequin Black Rose) (French Edition)


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Their only source of living is their sick benefits. Mother put her whole life for raising her only son, alone without a man. But her son is suffering. Guilty feelings are coming all over him, and he decides to go to his father, a person he never saw before. Mama is the debut for Yelena and Nikolay as film directors and script writers. Nikolay Renard fell into cinema through visual arts and oil painting. Yelena — through script writing. This film is their first experience of united directing.

To all appearances a perfect Gentleman, Mr Christie is in fact an arrogant and selfish monster. His life changes overnight when his frolics with a French sailor are shown on TV…. Graduating in , Phil Mulloy worked as a scriptwriter and director up until the end of the s. He then went to live in Wales to work full time on animation. It is an evening in October A fiveyear-old boy Thor Ochsner is on his way to pick up his mom at the airport.

His father is driving the car, it is raining and the windscreen wipers move back and forth. All of a sudden a car accident happens — and the five-year-old Thor is left alone, and has to figure out what to do. Thor Ochsner was born in Copenhagen in Then, he worked as an editor in different companies. Abed enters Israel illegally by passing under the Wall, through the sewers. He works in a restaurant in the West of Jerusalem. On his day off, Abed decides to go home with a mysterious white box.

It is the beginning of a long journey. Giacomo Abbruzzese was born in Italy in Following a degree in Communication from the University of Sienna, he wrote a dissertation on Digital Cinema at the University of Montreal in , followed by a Masters in Cinema and Multimedia at the University of Bologna. In parallel to his studies, he started making short films in including: Romeo sotto Giulietta in , Esprit Maternel in , Women, Fire and Other Dangerous Things in , Droga Party in and Passing the following year.


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He currently lives and works in France, Palestine and Italy. He earned his degree in , and directed Light-Sleep as his first short film after his studies. He is also one of the editors of the Prizma film-periodical. Lionel Rupp was born in He went to the Beaux-Arts in and graduated in The same year he founded the production company Zooscope with his brother Adrien. A typical industrial village, the ideal model for a ghostly past.

T the supermarket: two teenagers on a merrygo-round. In the big stadium: a match for a handful of supporters. Gilles Lepore was born in in Porrentruy, Swtizerland. After several placements, he made his first animated film, The Cage, which was selected for a number of festivals. Maciej Madracki was born in Krakow, Poland, in He studied filmology in Krakow before going to the University of Silesia in Katowice, in the directing department. Michal Madracki was born in Krakow, Poland, in In , he graduated in the History of Religion from the Jagellonne University. He is also a writer, scriptwriter, author of short stories and short films.

Seeking their physiological limits, free divers impose a very different regime on their bodies than the usual, regular use of their lungs. There are bodies and the restraint that they choose, accept and experiment with. This bodily restraint is filmed under free diving conditions. Le Silence de la carpe est son premier film documentaire. Born in France in , Vincent Pouplard lives and works as an artist, director and speaker on film. After studying sociology and photography, he moved into experimental films and blending music and images, and then film directing and production.

Le Silence de la carpe is his first documentary film. In a world where people have lost the use of speech, security guards bully a group of drug addict bikers. Two children are in a gymnasium where they are doing fitness exercises. When night falls they escape from the school.

The guards go through the neighbourhood looking for the escaped children. I wish sto create a story without words about the time of the small childhood. Just try to film what happens when we are not there. Joachim Lafosse was born in Brussels in His following films were premiered in Premiers Plans before their realease in France. From the celestial mountains to the peaks of the skyscrapers of Shanghai, two young peasants leave their village to go to the sprawling city.

Hendrick Dusollier is a plastic artist and composes his shots in his films using a mix of live action and virtual spaces in 3D. Since , during several journeys, he has filmed the changes underway in China. His new film, Babel, is an allegory of China today. It is the end of a meal.

Eight people are gathered around a table: they recall memories of a friend no longer with them. She studied at art school, and has always been interested in different means of expression so as to better explore the possibilities of language. She started by publishing low print run art books before making her first videos. She has had several exhibitions in France and abroad, notably at the Jeu de Paume in She has made several shorts, two documentaries Pork and Milk, , Valvert, and a fiction feature, En ville, in Born in , Claire Doyon studied literature before leaving to study drama in New York.

Her graduation film, The Wind blows where it wants, was selected for Cannes, Venice and Los Angeles where he received a special mention. Les Lionceaux her first feature film has been shown in the Directors' Fortnight in Cannes in Elle le suit. A man meets a woman… Everything is going well, so well that the following morning he decides to go and build a lovely house for her. She follows him. Marina Rosset was born in in Lausanne. Love Patate : some french fries, a love triangle, a potato with a scar, a huge nose, North of France and a bunny Mei Ling, jeune chinoise oisive, vit seule dans son appartement en attendant son amant.

Le poulpe grandit Mei Ling, an idle young Chinese woman, lives alone in her flat, waiting for her lover. Until the day she finds a tiny octopus hidden in the sink. She decides to adopt it to her boredom. The octopus begins to grow…. Gilles Cuvelier was born in Lille in His first short, Chahut, is released and selected in Premiers Plans in and with some friends who are also film directors, he creates the production firm PAPY3D productions in Love Patate is his second short film.

In , a travel to Asia inspired them their first film Bonsoir Monsieur Chu, which won the jury prize for French shorts at the Premiers Plans Festival. In January , they completed there second short, Mei Ling. They are currently working on their third film. Henri, a tired forty-something, works as a dog handler in a suburban station. One day his boss explains that he will have to get rid of his narcoleptic old Rottweiler Oedipus, his only friend. Incapable of facing up to this, Henri takes comfort in a beer and in Chantal, the waitress at the station buffet.

Comment concilier morale catholique et amour conjugal? Pourquoi le plaisir est-il coupable? La mince affaire… Men and women in the 30s and 40s. They could have been our grandparents. How can you love without having eight children?

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How can you reconcile Catholic morality and conjugal love? Why is pleasure guilty? Fr Viollet may have the answer to these questions. No easy business…. It is raining and it looks like it will never stop. Tu es parti, Vasco, tu voulais aller loin. Blandine Lenoir is an actress and director. She is currently writing her first fiction feature. He is currently working on his first feature. You were held back, though, by concrete and kisses, and you tasted the blood of the whale.

But that was not enough, you wanted to go elsewhere, to join the horizon that fascinated you. But how far do you want to go, Vasco? Since , the Festival Premiers Plans has introduced audiences to the work of young screenwriters with the readings of scripts for first features. Each year 5 screenplays are selected and read in public before the film is directed by professional actors. This prize will also be given by France Culture, in the form of a first broadcast premium paid to the writer of the script for its broadcast on the radio.

Paris Alex a vingt-cinq ans. They are looking to rent a big, light modern villa. The big villa will be a stage for sinister events…. Alex is Since the death of his mother he has lived alone, and lives off small time dealing, providing for his brother Isaac who, after having been a support for has become a burden. He decides to make the most of the law and leave for Israel, to join his cousin Nathan, who has set up a business there. But Alex realises that in going, he will leave behind Gabriel his nephew, Esther his former lover, Mathias his age-old friend, and Jeanne the beautiful young woman he has just met.

Alex will have to weave his way between his alyah, selling drugs, complicated love life and destructive brother. Alyah is his first feature as a director.

In he appeared in the cinema in Didine by Vincent Dietschy. At 18 he moved to Paris to studied applied literature. After a period as an assistant director he moved into writing. At the moment he is directing his first short, The Last Song, and is preparing his second. He is also currently developing his first feature, Nesma, with Mille et Une Productions, and will start shooting next summer.

Quelque part en Europe. When the poor tin shacks he shares with his family in the desert are menaced by demolition orders, Kamal decides to take action. He will stage a bombing and then prevent it, in order to establish himself as a hero, save his village, and win the admiration he so desires. Somewhere in Europe. Various populations, who have be forced to flee because of poverty, war or fanaticism, are pushed back farther and farther and are often trapped. Alongside her work as a painter, she has worked as a model maker and illustrator.

Guy Ofran graduated from Idit Schori, the scriptwriting school in Jerusalem in After having worked as a television and radio journalists, he focused on writing the script of the TV series The Race to be Prime Minister for the national Israeli TV channel. He has also written several screenplays including Le Poste sud-est directed by Ami Livne, which received the Arte Screenplay Award in Jerusalem in In , she took part in the script reading of A Common Thread at Premiers Plans Festival, and consequently starred in the film.

Marie Desplechin has also led a certain number of joint projects, notably with the dancers and choreographers Carlson and Thierry Niang and composer Nicolas Frize. Adami is a collective management society for the intellectual property rights of artists and performers. It distributes rights to actors, singers, solo musicians, humourists, conductors and dancers for the broadcasting of their recorded works. It defends the rights of artists and performers.

It supports creation so as to encourage the employment of artists. It also plays a role in the field of the arts and gives out almost Euros each year to support short films.

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At the beginning of the next school year, she will leave the family farm, the dirty tricks of the girls at school, the secrets of the boys; Elsa will go on vocational training in Reims. Rafa, 13, leaves his little apartment in the southern suburbs of Lisbon to go to the police station in the city centre because his mother has been arrested.

He is going to come up against authority and also the bureaucratic absurdity of the police. Paul Anselmi est un ancien truand. Et un ancien militaire. Seul, certes, mais libre et autrefois puissant. And a former soldier. And a former businessman. A man who has managed to navigate between stagnant waters to find the source, money, power, power, his dream life. An unscrupulous romanesque character, without morals, without any value other than himself. Alone, certainly, but free and once powerful. This freedom is precisely what Commissaire Perdrix and Lieutenant Webb have come to take, two cops lost in a time dimension that they do not belong to….

These readings will be recorded and broadcast on France Culture in These screenplay readings will be put to the audience vote. The winning screenplay. Author and director of animation films CGI and 3D , Nicolas Deveaux has a very personal universe around two passions: the image and the animal world. In , just graduated from the School of Computer Graphics Supinfocom, he directed his first professional short film 7tonnes2, featuring a realistic elephant trampoline champion. Already confirmed in a realist style, at the same time he developed graphic and poetic writing inspired graphic prints and lithographs of old always with a view to giving this show the best of nature His graduation film, Bad Luck!

XXIth century, a young man rediscovers a photographic laboratory forgotten by his ancestors. On , same place, a dreamy young lady wishes to have a very particular portrait of herself She has already directed several shorts, two of which were shot in 2k 3D, and received many awards around the world.

At the present time she is preparing her own new narrative stereoscopic projects and shooting 3D for other film-makers as a stereographer. Author, director and producer of around 20 films, Shooting is his first short film in stereoscopic 3D… This technique has brought him face to face with the representation of reality, violently raising the issue, like a hard drug, of his own identity, and by extension, a broader questioning of creation.

A young woman, her father and her son are spending the weekend in the country. The grandfather has promised that the train of his childhood will pass by. Every day, they wait to see the old railway line operating again… But is the train real, or is it an excuse to spend some time together?

Jeanne Guillot was born in Les Ulis, near Paris. At the age of 8 she started learning drama in a small theatre group. While shooting, Topper turns out to be an arrogant eccentric and threatens to pack in the shoot. Then Marleen enters. She is the female part, piques the interest of Topper and is the girlfriend of Axel. Later he worked as an art director designing merchandising products for Bernd das Brot, a popular german television show, where the central character is a depressed bread.

When talking of Barbet Schroeder, audiences find it difficult to link the films together. What would you say are the characteristics of his cinema? Il ne pose pas le spectateur en juge. What is striking about Barbet Schroeder is precisely that difficulty in characterising his work. For audiences, the name is vague. He has worked with genres and subjects that are so different that people find it difficult to identify them and make the link the Schroeder. Even though Barbet Schroeder is uncategorisable and atypical, certain elements do recur. The spectator is not made into a judge.

There is neither good nor evil and the purpose of his films is not to decide on this. Schroeder tries rather to understand this strangeness which fascinates him. He is fascinated by the duality of good and evil, as was Fritz Lang, one of his favourite filmmakers. But if Fritz Lang was fascinated directly by crime, Barbet Schroeder is interest in crossing the line, the limit which leads to crime.

The film Murder by Numbers deals precisely with the theme of evil seeping into the minds of two young men. Barbet Schroeder Barbet Schroeder, a filmmaker without borders? Barbet Schroeder has obviously had an international past, both personally and professionally. Although French by culture, particularly in terms of films, he was born in Teheran of Swiss-German parents, grew up in Colombia, filmed in the United States and in Japan. His cinema is linked to his own culture, which itself is multiple.

For example, Barbet Schroeder succeeded in doing something which is rare for a French. Il a toujours voulu faire les films comme il le voulait. Fassbinder Roulette chinoise. This success protected him for around 15 years. His success can also be explained by his beginnings as a producer. He has always had an idea on who to produce a film, which enabled him to understand the Hollywood studio system more easily.

But despite his success, he never really blended into the world of Hollywood, he remained too independent to establish himself completely. His position is once again one of being on the edges of a world which he accepts, but which he can also reject at times. Our Lady of the Assassins is a flagrant example of this, breaking radically from his previous Hollywood films.

With this innovative film, shot in High Definition Digital, using mainly non-professional actors, he crossed the line and was no longer in the spirit of Hollywood megaproductions, but on the side of Columbia. Going further with this question, you can see that there are no longer any clear borders in his directing process. Schroeder can use the preparation just as well as the shoot. For Koko, a Talking Gorilla, he changes the purpose of the shots taken for the preparation of the original film, and finally turns them into the documentary we know.

More par exemple, fait partie des premiers films sur la drogue et le mouvement hippy. Barbet Schroeder, an independent filmmaker? He has always wanted to make films in the way he wanted. His training as a producer soon made him aware of this, but above all it gave him what he needed.

He is the sort of director who often changed crews. Once again you can see this constant desire to renew. As a film lover, Barbet Schroeder clearly has a good knowledge of French cinema, which is visible in his work as a producer. Fassbinder Chinese Roulette. While continuing to produce these directors through his company, he soon moved away from them. His films all have strong, subversive themes, which are always controversial. More for instance, is one of the first films on drugs and the hippy movement.

Similarly, Mistress looks at the reality and practices of sadomasochism, a phenomenon which was never really, objectively, explored at the time insofar as the subject was still taboo. Always a step ahead, he looked into subjects which are disturbing and which regularly have an impact which goes beyond cinema. To all appearances difficult to link together, often considered as separate objects, almost like UFOs, the films have the common point of showing in daylight and on the big screen, the often hidden trends of our society.

Barbet Schroeder regularly takes subjects from reality. Often a controversial reality, with the complicit of Charles Bukowski, and the theme of alcoholism and marginality in Barfly or a homosexual love story with a backdrop of violence and drugs in Our Lady of the Assassins. The difficult subjects meant that he could always find something new and avoid falling into the systematic. In Paris, Stefan meets Estelle, who drags him down into the hell of drugs.

In search of thrills and hallucinations, the lovers meet up in Ibiza, the emblematic island of the hippy movement, to live our their dangerous passion intensely. Six ans plus tard, son premier film More sort en salles. A sa sortie, More fait scandale. Six years later, his first film More was released. The production was a copy of the production of La Collectionneuse: natural sets and lighting, no direct sound and 35mm film. Barbet Schroeder added that there is a clear aesthetic relationship between the two works.

When it was released More caused a scandal. It was an immense audience success. It became a cult film, symbolic of a generation. They show a way of life in which the whole crew from the film were immersed. A very small team, made up of thirteen people, interpreters and technicians included, sharing the lives of the Papuans in New Guinea, particularly in the make-up ceremony, illustrated by the short film of the same name. Barbet Schroeder shows the cultural importance of music and the body decorations in this primitive community.

Viviane is the bored wife of diplomat, who is seduced by a group of hippies looking for a mysterious uncharted valley. Searching for communion with nature, they gradually abandon their western references to blend into this new culture. Barbet Schroeder films a voyage of initiation, a human and geographic adventure which verges on being an ethnological documentary. This contemplative film follows a quest for a utopia and a freedom which are as attractive as they are dangerous. The film is in the vein of More, particularly with the music, which was also by Pink Floyd.

Both films explore the discovery of life and its pleasures, following the transformation and the journey of characters who are pushing back their boundaries, with all the risks that this implies. Distribution Les Films du Losange. This documentary on the Ugandan president and dictator Idi Amin, portrays the caricature of power embodied by a man playing his own role and displaying his government before the eyes of a director who at no time takes sides or judges the situation.

With this almost ridiculous megalomaniac, laughter and fear mingle in the audience, the film becoming a satire on the Ugandan situation. Ariane is a professional dominatrix who sells very special services in her Paris apartment. By accident she meets Olivier, who has just arrived in Paris from the provinces and with whom she has a love affair.

After drugs, utopia and dictatorship, Schroeder here looks at the foibles of masochism. The character played by Bulle Ogier plays out the most outrageous desires of her clients while living an apparently normal life. Just like her doublefacetted apartment, one private, the other professional, Ariane is also double, torn between her love for Olivier and her the freedom of her profession. Dominatrix and lover, the balance is difficult to find. Barbet Schroeder explores the ambivalence, even duplicity, of characters who live normal lives while performing their craziest fantasies in the shadows.

Koko is a 7-year-old gorilla that has been taught sign language by a couple of psychologists from Stanford University. He is presented as a subject in a scientific experiment to see whether animals can be educated or not. He decided to use the tapes that he had recorded for his research. With this, his second documentary, he looks into the possibility of a real dialogue between animals and man. The barrier which used to separate animals from humans has fallen with Koko, since he can speak, can recognise himself in a mirror, can feel and express his emotions. In a casino in Madeira, an inveterate gambler meets a woman with a 7 on her jumper.

This is his lucky number, he asks her to stay and accompany him for a week. She ends up accepting…. Alors, le suspense est la solution. Mon histoire est vraie. It is impossible to get across the feeling of the sensation of drugs, the pleasure of masochism is incommunicable.

So suspense is the solution. From to , Barbet Schroeder was desperately looking to finance Barfly, a film which was to be written by Bukowski. Over a period of two years he recorded the evenings he spent with Bukowski. It was also very important for him to keep alive the idea that creation could not, and should not, be too serious, a natural wisdom I liked a lot. I soon realised that the film worked as a succession of monologues. It was an unforgettable moment of solitary exaltation. Henry Chinaski drinks, fights and writes poetry. When he meets Wanda, a woman who is as lost as he is, it is the meeting of two people going downhill fast, who love each other, run from each other, tear each other part in a chaotic world.

The two dropouts complement each other in this relationship marked by violence and alcohol. The whole film is imbued with the presence of alcohol. It is the junction between the two heroes, who are connected by alcohol at their first meeting. With his daring choice of actors Mickey Rourke and Faye Dunaway and an unconventional scriptwriter Charles Bukowski , Schroeder made his first American film a long way from studio-shot Hollywood productions. The mystery surrounding the murder remains. It is a genre where the slightest mistake is unforgivable and it demands total respect for detail at all levels.

My first difficulty was convincing Columbia to finance a around two actresses who were unknown to the studios, Bridget Fonda and Jennifer Jason Leigh. A genuine studio film, produced by a major studio, Barbet explores the psychological thriller. The theme of dual personality is the key to the film where fear increases every second. Allison, a young New Yorker, finds herself alone after breaking up with her boyfriend and is desperately seeking a flatmate.

She chooses Hedra, a shy and retiring young woman. She is in total admiration of her landlady and steals her appearance, her haircut, and so on, up to the point of no return…. Rhode Island billionaire Claus von Bulow is accused of having used insulin to poison his wife for financial gain, plunging her into a deep coma from which she will never wake….

Contraint par les forces de police, il va devoir infiltrer le gang de Little Junior Brown. Jimmy, a one-time petty crook, lives with his wife and daughter when his cousin takes him on a dangerous journey which eventually leads him to prison. The very realistic action scenes follow in quick succession and the film was shot entirely in the Queens district of New York.

An ordinary couple in Massachusetts sees their son suspected of murder. The father, for the sake of the family, leads them into a lie which will devour them from the inside while the whole, upturned town the finger of blame at them.

Morales et sociales. The beginnings of the film were difficult on account of the whims and hesitations of the studio that wanted, for example, to have Mel Gibson play the father.

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Although the plot is a trivial event, the film raises questions on the possible attitudes of a family faced with the guilt of their son, on the struggle between the individual and the group, instinct and the law. Protecting the son becomes a strategy which flouts all laws. We once again see the same interest that Barbet Schroeder showed the von Bulow trial. Frank Connor, un des meilleurs policiers de San Francisco, doit trouver un donneur de moelle osseuse pour sauver la vie de son fils gravement malade. When he finds a match he is faced with a dilemma: the only compatible donor is a serial killer serving life….

After a family drama, Schroeder moved onto a psychological thriller, while still investigating the same theme: a father breaking the rules of society to try to save his child. Desperate measures is an action film, not a drama, the duality between good and evil is more violent and concrete. The film also looks at the conflict between the intimate and the political, private life and general good. Mais celui-ci est un tueur. After 30 years absence, a dandy, revolted, gay writer returns to Medellin, his home town.

In a male brothel he meets a yearold and befriends him. However, he is a killer. He shoots anything that gets in his way. It is also one of the first high definition films. The film is tinged with a deep pessimism personified by the writer Fernando Vallejo, who looks coldly on as the country degenerates. A country that Barbet Schroeder knows well as he grew up there. Taken separately, there is nothing special or diabolical about them.

The mystery surrounding him nevertheless remains intact…. The multiplicity of points of view shows the complexity of this mysterious and obscure man, revealing what he judges necessary and defending himself with a series of pirouettes. That is why there is no commentary. A young French writer comes to japan to promote his bestselling detective novel. There he meets a Geiko whose former lover has threatened to kill her.

By deciding to help her, he follows the traces of her Japanese master, Shundei Oe, a mysterious and invisible character who is worshipped in Japan …. Tout y est style, donc abstraction. Everything is style and abstraction. That goes perfectly with genre films. To become imbibed with the culture of the country and get closer to a documentary truth, Schroeder worked with a virtually all-Japanese crew. In the s, American society is undergoing a transformation, and the advertising agency Sterling Cooper on Madison Avenue is adapting to changes in consumer society. Creative director Don Draper is certainly one of the most brilliant admen of his generation, but the life of these New Yorkers will be overtaken by events: the assassination of John F.

The series is deeply rooted historically. The presidential campaign between Kennedy and Nixon is the backdrop to season 1, whereas the Cuba missile crisis hangs over season 2. Season 3 is situated in , a turning point for the United States as it ends with the assassination of John F. The episode directed by Barbet Schroeder takes as its theme this trauma, of which we see the immediate effect. The male hero gives in, for the time of the film, to outside temptation before getting onto the normal track in extremis.

Chronological Bibliography: Harlan Ellison

These first two tales show this. The first reveals the Rohmerian hero: a conceited, narcissistic narrator, more concerned about justifying his finally abject behaviour than tuning into ethical conceptions. Six emblematic directors of the New Wave each visit a district of Paris. It sees itself as an aesthetic movement linked to certain economic concepts. This collective film is marked by the simplicity, the casualness of a quick, cheap shoot. Il partage la demeure avec son ami Daniel. He shares the house with his friend Daniel. The two men are looking for the most profound inactivity.

Summary Bibliography: Harlan Ellison

The fourth in the series of moral tales, the production of La Collectionneuse was very economical thanks to the natural sets and lighting, and the lack of direct sound. During the shoot the whole crew lived in the villa in the film. A desire to verify the thing itself in minutest detail, focusing on it without bias in the balance of a frame made to contain it, it and nothing else.

E finita la commedia E fuori nevica! E Pericoloso Sporgersi E se domani Et pour quelques dollars de plus Et pourquoi pas? Et si on vivait tous ensemble? Et ta soeur Et toi, t'es sur qui? F comme Fairbanks F comme Flint F. Faites l'amour Faites le mur! Joe : conspiration G. H recherche F H. Hasta que la celda nos separe Hasta Santiago Hatari! Hatchi Haus Haut les coeurs!

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Dangereuse amnésie - A la place dune autre (Harlequin Black Rose) (French Edition) Dangereuse amnésie - A la place dune autre (Harlequin Black Rose) (French Edition)
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Dangereuse amnésie - A la place dune autre (Harlequin Black Rose) (French Edition) Dangereuse amnésie - A la place dune autre (Harlequin Black Rose) (French Edition)
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